karnsculpture wrote:Pretty ridiculous that the whole thing is up on YouTube already.
As one-third of Yellow Magic Orchestra and an Academy Award-winning composer for his work on the soundtrack for The Last Emperor, synth pop innovator Ryuichi Sakamoto is among the most groundbreaking artists to have emerged since the late '70s. A musician's musician, Ryuichi Sakamoto has created intriguing musical unions with artists such as David Sylvian, Iggy Pop, Tony Williams, Bootsy Collins, Jacques Morelenbaum and many others. Following the massively successful release of the electronic masterpiece async in 2017, Ryuichi Sakamoto's first studio album in eight years, Milan is proud to announce the remix compilation 'async remodels.' 'async remodels' features a dozen remixes of async's tracks by a who's who of experimental giants - everyone from Icelandic composer Johann Johannsson (Arrival, Sicario) to Oneohtrix Point Never (composer of Good Times) to Arca (producer of Bjork's numerous releases) have gotten their hands dirty remixing Sakamoto's work. Even reworks by the Canadian synthpop duo Electric Youth and Austin-based synthwave legends S U R V I V E are included. With such a well of talent reinterpreting such a personal album, this is one release Sakamoto fans can't afford to miss.
Quiet Visitor wrote:There's a documentary about the making of of this album, called Ryuichi Sakamoto: Coda:
https://www.youtube.com/watch?v=DVHrsGOP9LQ
Quiet Visitor wrote:There's a documentary about the making of of this album, called Ryuichi Sakamoto: Coda:
https://www.youtube.com/watch?v=DVHrsGOP9LQ
Quiet Visitor wrote:Finally I bought the album, mostly based on watching the documentary.
I think that if you haven't seen the docu. it's harder to understand the album.
F.i. the leading instrument on Disintegration sounds like an ordinary prepared piano, but in fact it's a piano that was a "victim" of the Japanese tsunami.
Foales Arishes wrote:I've been considering getting the film when it releases in the UK on the 26th of this month... Would you consider it worthwhile? I realize it may be hard to say, but I would welcome a more detailed review of this documentary when you have a moment or two.
The trailer looks very interesting, and therefore I hope the whole film lives up to this expectation.
Quiet Visitor wrote:Foales Arishes wrote:I've been considering getting the film when it releases in the UK on the 26th of this month... Would you consider it worthwhile? I realize it may be hard to say, but I would welcome a more detailed review of this documentary when you have a moment or two.
The trailer looks very interesting, and therefore I hope the whole film lives up to this expectation.
Of course this is a personal view, so don't blame me if you don't like it
The documentary follows Ryuichi closely after he heard the news of his illness.
He's very open in this and through the movie you see how he's dealing with it (his struggle to swallow his pills, etc.).
But there are also a lot of fragments we see him perform: live, in his studio.
We also follow him while he's in the "forbidden" city where the radio-activity after the tsunami is still too high for "normal" visiting.
I really liked the pieces (which I now hear on the CD) in which he's creating sounds while searching through the woods or when he finds that piano. (It reminded me how Peter Gabriel searched for sounds to record for the Fairlight - used for his fourth solo-album.)
I don't know if the film shown on TV has the same length as the actual documentary; I know from other DVD that the TV-versions are slightly shorter.
Foales Arishes wrote:Seeing him play, record, and finding sounds, along with his travelling really sounds fascinating and I hope it's not too overshadowed by things that seem to be deeply private, although obviously filmed with his blessing.
Quiet Visitor wrote:
No, you don't have to worry, the movie is more like your last paragraph, so the medical issues don't overshadow the musical content.
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