jon abbey wrote:Have you received the Polwechsel/Tilbury disc yet and if so did you like it?
I did receive it, yep. I thought the first track was quite disappointing, and the second one was better, we'll see how I feel after a few more listens. the one record they did for me was fully improvised (in collaboration with Fennesz), and I much prefer that one to their last three composed records.
Polwechsel has released three recordings since 'Wrapped Islands"? I was only aware of "Archives of the North" from 2005 and now "Field", released this year. I must admit that I am surprised that 'Place/Replace/Represent' was a disappointment to you - I find it immensely engaging, especially since Tilbury's contributions are in greater abundance throughout that particular track. The compatibility between his piano and Butcher's saxophone encouraged me to pick up a copy of AMM's Trinity.
I'd also like to return to the comments from the reviewer in Uncut magazine and gratefully point out that German music journalist Michael Engelbrecht took the time to post a retort on that site:
"Manafon" is a terrific, beautiful record, for sure my record of the year. It exists in the same class as the late Talk Talk albums, or Scott Walker´s "The Drift". And may be it is a bit too much for mainstream rock journalists and those guys who never want to leave their comfort zones. (I´m a journo myself and not someone from the promotion agency, so be sure I´ve listened to this album a lot, and it will be a future classic, I´m sure.)
And Mulvey's reply:
Thanks Michael; suitably chastened, I'll skulk back to my mainstream rock comfort zone.
Engelbrecht has interviewed and interacted with Brian Eno on many occasions over the past two decades...He also picked Arve Henriksen's "Cartography" as his best of 2008. It appears to be a very good bet that "Manafon" will be his best of 2009...Engelbrecht is definitely tuned in to Sylvian's musical mindset. So basically, anyone here who may have allowed themselves to be even slightly concerned about any of the opinions expressed on Uncut should remember to always consider the source and be assured that Sylvian is not aiming to appeal to such pedestrian sensibilities.